In stead of an opening of Seilduksfabrikken Project, I performed as a tour-guide of the site-specific work.

Mimicing a museum-guide tour, the focus was on my free, improvised interpretation of the work. Even if small, the discrepancy between my descriptions on behalf of the artist and the actual experience of the work, forced the viewer to take an active position in relation to the work, exposing my words as oppinions rather than facts.